I fallen into a few "black-holes" myself, all of which have been horrifying.
Once in Cuckoo's Nest as Billy Bibbit, it was group session time, and I was railing against some abusive old girlfriend, and when I stood to give my anguished plea to Nurse Ratched, I got to the point where the dimming lights were supposed to cut me off--and they didn't dim! OK! Improve time! As Billy was a stutterer, I had <u>no</u> trouble ad-libbing some quick stutters as I thought, "WHAT THE FUCK DO I SAY NOW?" I don't remember much of my ad-libbing, which lasted a good 30 seconds, an eternity while waiting to something to save me, but I wrapped it up with, "...b-b-b-b-because sh-sh-sh-she d-d-didn't l-l-l-like m-m-m-my m-m-m-m-m-m-m-motherrrrrr!!!" THEN the lights dimmed, and the disembodied voice of Chief Bromdem came in and let me breathe again.
WHEW! After that act, I asked the director, "What the hell happened to the lights?" to which he replied "You tell me." AARRRGH!!!
Another time, Playboy of the Western World, and Craig may be able to fill in the details with me, as he was directing. Our leading lady did her makeup at home and thought nothing of coming in 5 minutes before curtain, causing Craig to freak and rip her a new one before we went up. That, understandably rattled her, she bitched ME out for interrupting her concentration ( I think I said 'Hi'), and I was nervous because my friends were in the audience waiting to scream and howl when I entered without my shirt. The show started well enough, but as I got onstage, someone went up on his line. That threw off the rest of the cast, and the one person who tried to get us back on, in his best Swedish accent (it's a Irish show), said, "That lad is.....quite........", and it went downhill from there. Not long after that, I went up on one, receiving a panicked look from my leading lady, and again relied on improv to worm my way out of it. As most of the dialog is Irish poetry, I waxed poetic for a few seconds and finally the knock at the door got us back on track.
It wasn't long after that when Craig saw all he could stand and left the theater. If I remember correctly.
Another time, better circumstances. I was playing Max in Lend Me a Tenor. The lady playing Diana was a sexy little thing made even sexier by wearing a curly red wig. She asked me "Could you give Tito a message for me?". As I gave my line, "Sure!" she planted the longest, most arousing kiss on me that I ever got on stage! As I came to, I stood, reeling, and thought, "What the hell is my line??" She saved me by delivering her exit line, "See you later, Max." I missed my comic line of "Sure, I'll tell him, but he might misunderstand.", but it was worth it. Diana knew why I went up on that line, and she smiled coyly and winked at me after that act!




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